…AND WHY DO YOU NEED ONE?
Now most of you have some idea of how movies are made…what a director is; and the producer is usually the individual that has some say in creative matters, gets financing and handles business stuff.
But in the music business, the role of a producer is different and has changed over the years. Starting with legendary producers like George Martin and Quincy Jones to today’s JayZ, Brian Eno and Rick Rubin, producers are in many ways a part of your musical family; an essential creative partner for your music.
Good producers understand the physics of sound, but also understand the dynamic of performance and songwriting. Mentoring each artist with their experience. From how to better your rehearsals and studio time to developing your unique signature sound. They instill discipline. They understand every instrument and the tools that bring them to life. They know business and planning. Today’s producer helps manage the artists development and professionalism and is ready to take on many roles from psychiatrist to engineer.
A good producer helps you understand when you are “ready” to go into the studio both in terms of your own performance as a musician or vocalist and whether your creative direction and songs are “ready”. Helping develop a plan and set goals that are just for you. A producer is how you get there.
Many artists are fully capable with today’s technology of “producing” their own music, but in the age of DIY, we can have a false sense of confidence that we can do or learn how to do all the necessary tasks to succeed. Or should it be said – the time.
A producer allows you to do what you should be doing – focusing on your music and being an artist…not wasting time learning Pro Tools, building websites, or doing artwork.
I was asked once how do you become a producer. Answer? It comes with experience and experience is nothing more than learning over time; playing the instruments, playing the gigs, understanding where you are at (because the producer has probably been there), arranging the music (for a 4 piece or a 60 piece group), knowing vocals, harmony and theory, written hundreds of bad songs (and a few great ones), worked and at times just listened many many hours in the studio…alone and with others, placed songs in movies, published music, licensed music, pushed the buttons, turned the knobs and made a lot of mistakes.
For most good producers including myself, we never had a thought of becoming a producer…it just happens. When you can really make a difference for the artist and you love the music, you are a producer.
2014 CRIMINAL ROBOTS
2011 CROMA VICE